Kate’s Journal: Mostly a Lot of Daily JPGs

Entries from March 2007

Estne volumen in toga, an solum tibi libet me videre?

March 30, 2007 · Leave a Comment

This – for better or worse, with or without fanfare – is my 100th post on this blog.

Today has turned into one of those beautiful spring days where it’s all you can do not to prance away from your desk, out the doors, and into the sun. My work ethic has seriously run amok. I’m sitting here at the desk, and Work Ethic is outside, frolicking and picking daisies.

I’d like to spend some quality time with a camera this weekend… this weather just really brings out the shutterbug in me. I’d like to have a Flickr account or something, but I can’t access any of them from work, and I find that rather discouraging. Y’know?

Speaking of photos: want to see some pretty things we’ve done at work lately?

UP

WCE

ACE

By the way, some of the Latin titles I’ve been using are funny, and most – this one, for instance – are Googlable. :)

I don’t have anything to say. I just felt like talking. Anyone else out there feel like talking?

Categories: Photographs · Work

O diem praeclarum

March 26, 2007 · 1 Comment

Sentry

House

Sign

Shower

Totem

Mountain

Slide

Bloom

Road

Photos taken by the me in McCall and along ID-55, except the tulip, which was taken in my front yard while the neighbor cat tried to convince me to steal her and make her my very own.

Categories: Friends and Family · Idaho · Photographs

Neutiquam erro

March 23, 2007 · 1 Comment

Tuesday morning – March 20, 2007 – I got ready for work and, at the appropriate time, stepped out of my house. It had rained in the night, and a few light raindrops tapped my shoulders as I walked to my car. Another rainy morning. That morning’s rain was different, though. It had a different smell, a different color to it. After months of gray rains, this rain smelled green.

It was the dawn of the new moon.

Looking at what I blogged about that day, you can tell I was in a spritely mood, but you can’t tell that I felt as though I’d been shifted a tiny bit. If my soul had been in Spot X for the past few months, it was now listing two degrees to the left. A tiny seismic – psysmic? – shift.

The word of the day on Tuesday was “empyrean,” the highest heaven, paradise, a realm of pure fire or light.

All day long, I felt as though I were humming – not in terms of song, but like a tuning fork, long moments after you strike it, at that point when it seems silent to humans but still sends dogs scurrying for cover.

I am reading the most extraordinary book, and I’m going to tell you all all about it, but not just yet. I promised myself I’d get past the halfway mark before evangelizing. And that’s remarkable, don’t you think? I’ve been reading this book for over a month now, and I’m not even halfway through it. It isn’t a long book, but it’s deep – so deep I can’t see the surface any longer, but that’s okay, because the surface is really the bottom and I’m swimming down, down, down for air.

It wasn’t until late on Tuesday that I realized that it was the vernal equinox. Ad vitam paramus.

Categories: Books

Three Questions for You!

March 23, 2007 · Leave a Comment

1. A rudimentary internet search reveals that the average cost for a copyeditor (someone who reads over your papers, manuscripts, etc. for errors) is $25 an hour, with the assumption that you can cover 2-3 pages in one hour. If you are a college student, a hoping-to-be-published writer, etc., would you pay someone like me $25 an hour to copyedit your paper? If not, what would you pay?

2. When in high school, I had a teacher who was seriously freaked out by blue food. Tonight, I’m going to a housewarming party whose host is literally phobic of white foods. It’s not a choice, not a diet – it’s a phobia. What’s up with that? Are you phobic of any particular kinds or colors of food?

3. You don’t have to watch or like American Idol to play my new weekly American Idol Blog Game (AIBG). Ready for this? Okay. Next week the AI contestants have to sing a “song of the 1990s.” If you were on AI – and assuming you could sing as well as would be necessary – what song would you choose to perform? (This can be a song you just really love, or one you think would get a lot of votes – whatever you like.)

3b. If you’re digging the AIBG, what songs would you have done for “songs of the 1960s British Invasion” and “songs by Diana Ross” weeks?

Categories: Work

Creative Juices

March 21, 2007 · Leave a Comment

Could someone please bring me a creative-juice smoothie?

I have to email a prospectus, so to speak, of my two main bookwork projects to my professor – today, hypothetically. I’m ready to present on my final project plans, but in the meantime we have another book due in April. Basically he handed us a CD full of photographs taken by an itinerant photographer around the turn of the century in northern Idaho, gave us a rough bio of the fellow, and told us to create a book inspired by these items. We can use them, we can depend on them, we can twist them, we can ignore them – as long as we can honestly say “yes, I was inspired by these things, and here is why.” Closer uses of the materials are probably at least somewhat preferred (less explanation). Any ideas?

I thought I had an idea. Then I decided I didn’t like it. Now I wonder. Maybe I should just go with it?

Eek.

Today is not a good day for me to need to spend lots of mental energy planning a bookwork…

To be honest, I also have some qualms about my final project. I’m definitely making the book, but is it going to fly with Tom – particularly considering I have less subject matter than I’d planned? Can I make a final-project length book with five subjects? (Answer: of course. But it’s 7:29 AM, which gives me license to dramatize and fret.) I have a backup final project that I can do if he frowns on my OAL idea, but that will increase my number of publications to three in two months – rough.

There’s probably not a lot anyone can do or say in response to this post, so let’s just leave it at “good morning” and move on…

UPDATE –> I opened my email this morning and had my horoscope waiting for me:

SAGITTARIUS (Nov. 22-Dec. 21): Flora, a Komodo dragon in a British zoo, recently became pregnant and hatched five babies without ever having had contact with a male. This is the first recorded virgin birth among her species. She’s your power animal for the coming weeks, Sagittarius. Whether you’re female or male, you too now have the power to spawn a beautiful brainchild without being intellectually or emotionally fertilized by anyone. That of course doesn’t mean you should avoid the kind of intimate interactions that would fructify you. On the contrary, I urge you to seek those out in abundance. But my point is that you don’t need them in order to be a fount of creativity.

Categories: Boise State · Books · Idaho

How to Solicit a WTF Look

March 20, 2007 · Leave a Comment

You work with someone who drives a yellow car. Said yellow car has a yellow window sticker with the Phish logo on it. Her license plate reads “PHISHA.”

In the midst of a conversation, you decide to make a foray onto personal territory. “So,” you say, “I guess you’re a real big Phish fan?”

(Oh, come on. You know you think it’s funny. And no, I didn’t actually do it – I caught myself just in time.)

Categories: Work

I Drool; I Swoon

March 20, 2007 · 1 Comment

Okay, let’s just take a moment to talk about the BEST WEBSITE EVER.

I may have mentioned this website before, but I don’t think I could have possibly raved about it enough. There just aren’t words to adequately glorify this website.

It’s called LibraryThing, and it’s the neatest thing since sliced bread. I mean it. Basically, here’s the deal. You get a membership on this website, and you can catalog your books online. Title, author, ISBN, cover art – tags, reviews, comments, ratings. Largely customizable, and getting better all the time. Lots of people on there, too. You can see how many other people on LT own your books, and you can even talk to them about them. Have little nerdy book discussions. It’s great.

Plus, you can access the site remotely – even from a cell phone – so you know whether or not to buy that used copy of The Juror. And you can put little widgets on your blog so that your buddies can browse your catalog or see what books you’ve added recently.

If you own fewer than 200 books you can LT to your heart’s content for free. People like me with upwards of a thousand books have to shell out $10 a year (or $25 for a lifetime, but maybe next year) for an unlimited membership.

SO in love with this website. You should definitely get a membership… and tell me your username… so we can compare notes. I’m CapnK8 on there.

Categories: Books

Googly Awesomeness

March 16, 2007 · Leave a Comment

Two people recently navigated to this site by googling the following search terms:”blow nose snot comes out of tear duct”
and
“smuttiest novels”

For teh win!

Categories: Things Online

My Story, Part Three

March 15, 2007 · Leave a Comment

A lot of people say that the years of high school are the best in their lives, but in my case high school had nothing on college.

I started off majoring in political science, devoting seven hours a week to being an invisible member of the Blue Thunder Marching Band under the direction of David A. Wells. It was nice to have the opportunity to lay low and acclimate to the ensemble with minimal responsibility, particularly when that “minimal responsibility” included good friends and band trips to Los Angeles and Hawaii.

My self-imposed anonymity was short-lived, however. Pep band season started, and one of the drum majors came up to a sax sectional with the message that David wanted to talk to the “red-headed kid from Meridian.” I reported to the band office and was asked if I could fill a vacancy in the pep band. He didn’t even have to get to the $20/game paycheck before I had eagerly accepted – and that, of course, was the beginning of the end.

The following year – now an English major – I was picked as a co-section leader, and on the first day of band camp I was faced with the daunting task of exerting authority over a large group of more seasoned college students. One of the scariest people in my new section was a 22-year-old transfer student from Cal Poly who mentioned he’d been that school’s former assistant drum major. (It’s funny how young 22 sounds to me now, and how old it seemed when I was 19.) His name was Ryan (“my friends call me Boise”), he had a small blue-and-white enamel bar fastened to his neckstrap, and as the season progressed, he’d periodically show up to rehearsal wearing a small gold pin over his heart.

I noticed, and asked him what it was. It turned out that Ryan was a member of a band fraternity called Kappa Kappa Psi, a co-ed organization devoted to service, recognition and development of leaders, and a familial bond among college band members. His explanation and stories – not to mention the obvious fondness he had for the organization – piqued my interest, but at first I didn’t give it a lot of thought.

Three things changed that spring. First, Ryan and I ended up seated next to one another in the community concert band, where we were able to spend a lot of time quietly “talking shop.” Second, I got disgusted with the marching band’s student leadership and made the decision to run for President. And third, someone made the mistake of telling me that I wasn’t a real musician and was unworthy of being a section leader or band officer because I wasn’t a music major.

I got mad. And the longer I thought about it, the longer I knew I wanted to do something about it. I wanted to give back to the bands that were such an enormous part of my life. I wanted to add a positive force to the political melee in my school’s music department. I wanted to create a more organized social network for people like me, people who loved band above all else. And I wanted to prove something to the haters and the doubters, wanted to prove that dedication to and leadership of the band weren’t the exlusive bailiwick of any one field of study. I talked to Ryan, I talked to two of my closest friends, I talked to Dave Wells, and the next thing I knew we were on a plane to the 2001 Kappa Kappa Psi/Tau Beta Sigma Western District Convention.

To make a long story marginally shorter, we spent the convention meeting with active members and national leadership and came up with a plan for bringing a chapter of Kappa Kappa Psi National Honorary Band Fraternity to Boise State University. When we returned home, we spent the summer drawing up a draft constitution and throwing casual recruitment meetings. I became the marching band’s President, and I knew that if I had anything to do with it that things were about to change.

Colonization (the term used to mean starting up a fraternity chapter) is a hard sell on a non-Greek campus. You have to convince people to join a group that doesn’t exist yet, with the promise that it will be a lot of work, will cost money, and will have periodic episodes of very foreign activity. In the end, though, we convinced twelve people to join us, and the chapter at Washington State came down to Boise and conducted our first induction ceremony. Without going into any detail, it was one of the most powerful and symbolic experiences of my life up to that point. There was my love of band, sure, but this confluence of like-minded people acknowledging one another’s passion felt almost like a spiritual force.

Ryan, as the only person experienced in the organization, became the colony president, and I was elected vice president. It was my responsibility to develop an education program to teach the other members everything about the fraternity, while learning the information myself. Ordinarily, another active chapter would have steered the membership education process, but our nearest chapter was eight hours away. The things I experienced during my years as vice president would have an enormous effect on my eventual decision to become a teacher.

We became prospective members of Kappa Kappa Psi, and official colonists, just in time to run the local high school marching competition. It was our first service project ever, and we were determined to make a big impression. Diagrams, charts, maps, handheld radios – and the end result was the most smoothly-operating, on-time festival the area had ever had. That marching competition, and the excellent work we did with it, became our first tradition.

That was a year of lessons. We learned about sacrifice and pride when we found the stadium’s American flag wadded in a black garbage bag between games and took it upon ourselves to raise, lower, and properly store the flag every day for that entire year following 9/11. (In that same vein, some of us learned how to correctly fold a seven-foot-flag with only two people when the rest of the colony couldn’t make it.) We learned about fear of the unknown, and about courage, and about trusting those who had gone before us. We learned how much people despise change – even positive change – and how low some people will go to fight change when a group of band members took it upon themselves to try to sabotage our colony. We learned about the influence of others – abusive fathers, controlling girlfriends, jealous buddies – on our members. We had brutal fights, heartwarming connections, hilarious parties. Five colonists dropped out midyear. One of them went home for Christmas break, caught some unidentifiable virus, and died. We found out about it as we were waiting in line at the printer’s to pick up our petitioning document.

Then, on April 5, 2002, standing in a ballroom in a Flagstaff hotel room in front of two hundred or so Brothers, I became a Brother of Kappa Kappa Psi and our little colony became the Iota Kappa chapter.

I was always one of those people who swore I’d never “go Greek,” and I honestly can’t say that I’d enjoy the traditional sorority scene much. But I can tell you that there is nothing quite like the sensation of abruptly adding hundreds of people to your family, hundreds of people who may not share your genes but who all have the same love of music pumping through their veins. If you know what I’m talking about, then there’s no need to explain it, and if you don’t, I’m not sure how to make it sound any less corny. Words like “extraordinary” have been overused to the point of impotence, but extraordinary is what this was.

“Extraordinary” describes the effect the little chapter had on its members and its bands, too. Retention – in the band program and the university – improved. We began recruiting more music majors and became more neatly integrated into the department as a whole. Our projects had a real impact on the community and the campus. The chapter helped people survive rough times in their life. It coaxed people out of their shells, ruts, and closets… brought hearts together… inspired people to fly. I felt like a mama duck, watching an egg become a duckling and that duckling become a swan. For the first time that I can remember, I felt overwhelming, heartbreaking pride of other people. Every time we inducted new members into the chapter, every time we sang the song or recited the creed, I knew that we were all in the presence of something bigger. The whole had exceeded – and was exceeding – the sum of its parts. Needless to say, I’d drunk the kool-aid.

Ryan and I made a really good team, in the band and in the chapter, and seemed to share an unspoken language that no one else knew. It was, then, probably only natural that we’d end up engaged to be married. He proposed in May before my last year of college. That was a big summer; in July we traveled to Norfolk for National Convention, and I had the indescribable honor of giving the keynote address to the national assembly of Kappa Kappa Psi.

Writing that speech required me to sit down and really consider what the fraternity meant to my Brothers and to me. I talked about what our responsibilities were as members of Kappa Kappa Psi – about our duty to help others, to sacrifice our own self-interest in the service of the things we loved, to support musical education, to keep a song in our hearts. Of great importance to me was the fact that not every Brother was a first-chair player, a music major, a section leader. I thought about the people we’d had in our bands who were lousy musicians, hopeless marchers, tone-deaf, inexperienced, but who had given everything they had to continue striving for improvement, to continue contributing to the process, to continue bringing joy to the ensembles. I thought about people who did the impossible: blind section leaders, one-armed trumpeters, deaf baritone players, immigrants whose love of the band trumped their lack of musical background. I thought about duty. I thought about agape.

The thing is that Kappa Kappa Psi urges us to embrace and support music, but not everyone will do that through music. There are, let’s face it, few true musical geniuses in our world, and if the only way we could serve our bands was through mastery of concertos there would be no Kappa Kappa Psi (heck, there’d be no bands). We all have different gifts. Some Brothers can draw and paint. Some can program websites. Some are reliable long-distance drivers. Some are born motivators, and some are born salesmen. Some Brothers keep meticulous records, and some Brothers always have the perfect joke ready to reduce a meeting to giggles. Some Brothers can teach, some Brothers can lead, some Brothers can follow, and some Brothers give the best damn hugs you can imagine. Some Brothers are writers. We each can take those gifts, musical or not, and use them to serve our bands.

By the time I graduated, in the spring of 2004, the chapter had blossomed into something robust and self-perpetuating. Ryan and I looked at the chapter and realized that for all the stress, trouble, and sacrifice it had brought, it had rendered great good. Peoples’ lives had been changed, and each new generation of Brothers was empowered to change the lives of those who would follow. The things we’d learned and the promises we made had only gained potency with the years – each induction ceremony still gave me chills, still brought tears to my eyes. Kappa Kappa Psi hadn’t been a passing fancy that I’d helped to impose upon my school: it was a living entity, a catalyst. 

Ryan and I left the chapter feeling satisfied and content, got married, and began living happily ever after.

As time passed, however, the organization didn’t pass from my consciousness. They talk about the “irrevocable bond” to which we’re commiting when we join Kappa Kappa Psi, but for the first time I truly felt that. With a little bit of perspective I was able to see that love for music, band, and fraternity didn’t stay the same but matured and evolved with us. At first we crave it, and then we immerse ourselves in it; finally we reach a place where we want to nourish and support it, want to give ourselves back to it in a way that will help others have the same experience we’ve enjoyed so much.

For a while there I wasn’t sure how best to do that. I served in a few capacities as an alumni leader, but my interests lay closer to the welfare of the active and prospective membership. I tried working with my local chapter on a few projects, but didn’t want to interfere with their natural growth. I conducted research on the fraternal/sororal experience in bands, flew to Atlanta, and presented it to a fairly skeptical roomful of ethnomusicologists. I tried writing about my philosophy of Brotherhood and ended up with reams of unshareable drivel.

I didn’t give it a lot of thought – I gave it years of thought. I took into account all of the reasons why and all of the reasons why not. I wrestled with fear and doubt (a fight which has yet to end) and I consulted those I trusted most. And finally, after the initiation of my chapter’s Eta class, I made the scariest announcement of my life.













Categories: Band · Boise State · Friends and Family · Kappa Kappa Psi · Photographs

My Story, Part Two

March 13, 2007 · Leave a Comment









My first major breakthrough came early, during summer band before my sixth grade year. I’d spent several days sitting in the back row of an enormous crowd of wannabe musicians growing increasingly frustrated with the saxophone around my neck. The strap was biting into my muscle and blow as I might, I could barely elicit a sound from the mouthpiece. A cold knot of dread settled into my stomach as I contemplated telling my parents that I wasn’t going to want to play saxophone after all.
Suddenly, the scary old high school band teacher whose band room had been commandeered knelt behind me. The rest of the room was busy squeaking and squawking their merry hearts out, and no one saw as he laid a hand on my shoulder. I jumped, certain that he was about to confirm my fears that I would never be in band.

But instead: “Don’t blow so hard,” he told me.

Those four words were electrifying. I cut my airflow and suddenly sounds – nice sounds – came out the other end of the stubborn horn. By the end of summer band, I was one of the better players and had even learned that more comfortable neck straps were available. And although it took me many years to realize it (and many more to implement it), I’d learned an important lesson about trying to force things. Some things can’t be done by force, and some things just have to be left alone to progress naturally.

My middle school had three by-audition eighth grade performance groups: drama, choir, and jazz band. I had my eyes on that band as early as sixth grade, craved the day when I could audition to be a part of it. In fact,  the biggest reason (in my mind) that I didn’t take the school’s advice to skip seventh grade was that I wouldn’t be permitted to audition into Jazz Plus. In seventh grade I joined the beginning jazz band, and you can see evidence of my first improvised solo in the third photo to the left. It was a somewhat stilted jam on “Louie, Louie;” I can’t say I’m especially proud of that, but a girl has to start somewhere. :) It was a funny little jazz band – a baritone, a flute, two keyboards, a French horn – but it was something.

Then in eighth grade I auditioned for and made Jazz Plus. That year’s pivotal solo was in “Norwegian Wood” at the middle school graduation, proving fairly conclusively that the director had an odd definition of jazz. It was a fantastic year, and I thought we were quite the hot ensemble. In retrospect, I guess we all see ourselves as pretty terrific, wherever we are at a given time. Little kids feel grown up, beginning musicians feel seasoned teenagers think they know it all. :)

Times were changing in more than one way, though, and in the spring of eighth grade my family decided to move. That summer, we packed up our things and moved from Colorado Springs to Boise, and come fall I enrolled at Meridian High School. I was happy about the move, except for the fact that the high school I would have attended in Colorado was prepped for a marching trip to Disney World while this new school didn’t permit ninth graders to march. That year, one of the senior saxophone players came into the freshman concert band and took orders for rubber mouthpieces; a few weeks later, he returned with tiny rectangular boxes for the handful of us who took him up on it. Martin had always had a good sound, but I hadn’t realized what an impact a different mouthpiece could make.

The following year I joined the Meridian Marching Unit, renowned at the time for its poor performance at local competitions. The previous year had been a low point; during one major competition they’d had to stop mid-song and start over. To this day, no one knows what caused the cosmic shift that propelled the Unit from that bad place into the trophy case my sophomore year. Maybe it was shame, maybe it was a different style of music – maybe it was just time. Whatever it was, it reduced tough senior boys to tears and sent shockwaves through the entire ensemble. To the day I die I’ll never forget standing in the bleachers as our name was called, snapping to attention as the drum majors collected their trophy, aware peripherally of my fellow musicians silently sobbing, statue-still.

I became a band-adrenaline junkie, living for the moments – whether on stage or the field – when the music supercollided and became something tangible, almost visible, vibrating with power. It was easiest to find on a football field, when physical movement could amplify the music’s effect on my body, but I felt it in Holst and Holsinger, Williams and Reed.

In eleventh grade I became section leader of an unruly pack of six-foot-tall boys and began the difficult task of sculpting my natural bossiness into effective leadership. I have those kids (three of whom were named Mike) to thank for any ability I have today to deal with people, because Holy Bovine did I screw up a lot. Staggering, embarrassing mistakes. (It’s strange to look backward and realize that I was only sixteen years old at the time, but it does make it easier to forgive myself for being so dumb.)

I also became first alto in the jazz band, and if leading boys on the field was hard then jamming with them on the stage was nigh impossible. I don’t know how typical my experience was, but I found myself in the middle of a raging pit of testosterone and ego. To these guys, a woman’s place was as far from a jazz band as possible, and from day one I was fighting to prove myself to them. It wasn’t always an unpleasant experience, and the strength of the music made up for the bad times, but there were a lot of tears shed in those last two years of high school. It didn’t help that – whether through pressure or just adolescence – I’d lost the conidence to really let loose on a fastpaced improv. While they were channeling Charlie Parker, trying to outdo one another in the land speed records for jazz solo, I was only truly at ease with a nice dirty blues. I gave Martin a lot of credit for that; it seemed like that horn was built for the blues, and I was merely the tool that filled Martin with air so it could sing. Unfortunately, the blues were thin currency in my jazz band.

My second major breakthrough came at the best of all possible times. I stood up into the microphone for my lengthy improv solo at the BSU Jazz Festival. The judges were all mumbling into their tape recorders, and I was paying attention to a dozen different things as I stood – the music stand, the microphone stand, my reed – but not my feet. And I stumbled. I caught myself, one foot shoved forward at an awkward angle, twisted in the microphone cord. The band played the lead-in, and there was nothing to be done but to start playing, crooked and ungainly, looking – I was sure – like a total idiot.

Being off-balance, though, did something strange to me as I played. I was looser. I leaned into the microphone, rocked into the phrases, followed through on the runs as if I were trying to make a basket. It was the “click” moment, when a gear in your brain turns over and you suddenly understand something you’ve been studying, and an analogy for the greater lesson: sometimes everything has to go wrong in order for everything to go right. All things – even nearly doing a face-plant in the middle of a performance – happen for a reason.

I’m a competitive person, and I thrived on being a part of a competitive band. When our drum majors called us to attention at rehearsal’s end and bellowed out the call-and-response, I took it as a spiritual experience.

Feet are: TOGETHER!
Stomach is: IN!
Chest is: OUT!
Shoulders are: BACK!
Chin is: UP!
Eyes are: WITH PRIDE!
EYES ARE: WITH PRIDE!

As a sophomore and junior in high school I watched performances by the Boise State marching band – a tremendously entertaining band that didn’t spend too much time cleaning individual technique – and felt disdain. I knew that it was a good band, but I couldn’t understand why they didn’t make the effort to be flawless. Then I went through my senior season, with all of the highs and lows of competition, and I began to see the marching band experience in a new light. Maybe I was just tired of the stress and pressure, but I’d developed a new philosophy of band. If it wasn’t fun – for the participants and the audience – what was the point? That year I saw the Boise State band with new eyes, and I began picturing myself in blue and orange.

I did the typical college/university mating dance in the spring of my senior year and came up with a few tempting scholarship offers, but in the end two criteria made my final decision for me. I wanted to at least start out close to home, and I wanted a marching band. Only one school would do, and in the fall of 1999 I matriculated to Boise State University and joined the Keith Stein Blue Thunder Marching Band.

Categories: Band · Boise State · Kappa Kappa Psi